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KCNA Pyongyang Times

PIFF sees significant improvement in quality and numbers

Date: 28/09/2019 | Source: Pyongyang Times | Read original version at source

West Coast Exchange, North Korea Watcher Conference, Sept. 2026

The 17th Pyongyang International Film Festival which opened on September 20 amid great interest of people at home and abroad came to a close after completing its eight-day programme.

The festival which originated as a biennial event in 1987 is dedicated to truthfully representing beautiful and noble human mentality on the screen and promoting sound development of society under the ideals of independence, peace and friendship.

The festival has become an annual event since 2016 to serve the growing interest and meet the expectations of the film people of the world and locals as well.

The recent event drew about 40 film companies and other organizations and over 200 film makers and fans from over ten countries including the DPRK, China, Russia, India, Canada and Italy.

According to statistics of the Pyongyang International Film Festival Organizing Committee, the festival drew over 400 documentary, feature, short and animation films on the themes of war against aggressors, historical events, true love, defence of justice and science fiction.

Canadian documentary Hue, a Matter of Colour shows in a lifelike and touching way that no man is above others and humans are equal and Canada-Afghanistan co-production documentary Laila at the Bridge portrays the danger and harm of drug and the aspiration for a sound and clean world.

Korean documentaries A Large Harmonious Family and Laughter and Singing of Our Children depict the Korean people who find it most rewarding to devote themselves to the good of others in a grand harmonious family and the happy looks of children.

Indian feature films Happy Bhag Jayegi and Bhaag Milkha Bhaag impressed the film-goers with an emotional love story of young people and a story about a sportsperson who exalted the honour of the country.

Chinese feature film Till the End of the World fascinated viewers with a characteristic plot and flawless acting.

Italian feature film The Invisible Witness drew the admiration of the audience and the jury with surprising cinematic effects.

Computer graphics was applied to most of the films presented to the festival.

Russian feature film T-34, Chinese feature film The Wandering Earth and many others ensured lifelikeness and logical development by processing vivid and wonderful scenes with the help of CG.

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